(I love this photograph so, so much: wretched old dreamer Pyotr Il’yich Tchaikovsky, on a settee, flanked by well-upholstered, waistcoated, pocket-watch-flaunting grandees. Apologies to possible copyright holders; I’ll take it down if you like, or attribute credit if you send me the information. This photo must date to about 1890, or so; Tchaikovsky died at 53 on November 6, 1893, after possibly contracting cholera on purpose.)
This weekend Music Director David Robertson leads the St. Louis Symphony Orchestra in works by Mackey, Rachmaninoff, and Tchaikovsky, with special guest piano virtuosa Orli Shaham performing Rachmaninoff’s Rhapsody on a Theme of Paganini. If you can’t make it to one of the performances at Powell Hall—and good tickets are still available! —be sure to tune in to the live broadcast on St. Louis Public Radio, which begins at 8:00 pm CST. Here’s the website to listen if you want to hear this gorgeous (Russian-ish) program but can’t make it to Powell Hall in St. Louis: http://news.stlpublicradio.org/#stream/0
My notes can be found here.
This weekend, the St. Louis Symphony performs works by Hector Berlioz, Aram Khachaturian (pictured), and William Walton. If you can’t make it to Powell Hall this weekend, be sure to tune in to St. Louis Public Radio for the broadcast or live stream, which begins at 8:00 CST.
My program notes can be found here:
This weekend the St. Louis Symphony Orchestra, led by Conductor Laureate Leonard Slatkin, performs works by Chopin (pictured above), Rachmaninoff, and Rouse.
If you can’t make it to one of the performances at Powell Hall–and good tickets are still available!–be sure to tune in to the live broadcast on St. Louis Public Radio, which begins at 8:00 pm CST.
My notes can be found here:
I wrote about a slew of Mozart pieces for three all-Mozart concerts performed by the St. Louis Symphony Orchestra, starting with opening weekend (this weekend, in fact!). There’s still plenty of time to get tickets to all the upcoming performances, which feature pianist Emanuel Ax.
On Mozart’s Symphony No. 41 (“Jupiter”), the overture to Le Nozze di Figaro, and Piano Concertos Nos. 19 and 27. (My notes begin on p. 24.)
On Mozart’s Symphony No. 39, the overture to Così fan tutte, and Piano Concertos Nos. 20 and 14. (My notes begin on p . 24.)
On Mozart’s Symphony No. 40, Piano Concertos No. 16 and 17, and the overture to Don Giovanni (My notes begin on p. 32.)
Here’s another batch from the Dallas Symphony backlog. Here I write about works by Debussy, Pintscher, Ravel (pictured–so handsome!), and Dukas.
Here is a program I wrote about for Dallas Symphony last season, on Franck’s Le Chasseur maudit (“The Accursed Huntsman”), Schumann’s Piano Concerto in A minor, and Dvořák’s Symphony No. 8. I have a big backlog of Dallas programs that I haven’t added here, so I’m just going to put them up when I have a spare moment or two.
Also, it gives me a chance to re-share my favorite portrait of Dvořák.
On May 4 and 6 (Thursday and Saturday) the St. Louis Symphony and St. Louis Symphony Chorus perform Richard Wagner’s opera Der fliegende Holländer (The Flying Dutchman) in its entirety. I’m very much looking forward to attending the Thursday evening performance with my mom, and I’ll be sure to tune in to the live broadcast on St. Louis Public Radio on Saturday night as well.
My notes begin on p. 25. Yes, I realize that I left a great many things out, but that’s what happens when you attempt to stick to your word count (and fail, but only mildly). I guess no one will miss my wanton gothisms.
On April 21, 22, and 23, the St. Louis Symphony performs Valentin Silvestrov’s Hymne 2001, Sergey Rachmaninoff’s Piano Concerto No. 3, and Béla Bartók’s Concerto for Orchestra, with pianist Nikolai Lugansky and guest conductor John Storgards. Those who can’t make it to Powell Hall should tune in to St. Louis Public Radio’s live broadcast and web stream at 8:00 p.m. (Central Time) on Saturday, April 22. It should be a tremendous concert, and the Silvestrov piece isn’t programmed all that often, at least not in the United States.
This weekend, February 24 and February 25 (but not Sunday, sadly), the St. Louis Symphony and St. Louis Symphony Chorus perform William Walton’s insane and gorgeous oratorio Belshazzar’s Feast. Also on the program are Otto Nicolai’s delightfully nutty overture to The Merry Wives of Windsor and Edward Elgar’s Falstaff, a more nuanced and tragic portrait of the same Shakespearean buffoon. (Sense a literary theme here? SLSO programs are always very thoughtfully conceived, which makes writing an introduction somewhat easier.)
You can tune in to the live broadcast on St. Louis Public Radio if you can’t make it to the concert at Powell Hall tonight. The St. Louis Public Radio broadcast streams live on the website, too, starting at 8:00. Once I figure out how to make a hyperlink again, I will do it; in the meantime, Google is your good buddy. And speaking of good buddies, check out the photo I found featuring William Walton (left) with a baby koala. Baby koala doesn’t seem too impressed, but my huge love for Walton’s facial expression compensates for the fact that he is much older in this photo than he was when he composed Belshazzar’s Feast, a completely koala-free endeavor as far as I can determine.
My program notes are on pp. 26-30.
On January 13-15, 2017, the St. Louis Symphony performs Antonín Dvořák’s Symphony No. 9 (“From the New World”) preceded by John Adams’s Chairman Dances and Erich Korngold’s Violin Concerto (with soloist Gil Shaham). My program notes begin on p. 30. Please excuse the typos (“Move Motives” should be “Movie Motives” in the heading, and “staticy” should be spelled “staticky.”) Also, this photo of Dvořák was taken a few years after he completed the symphony, but I prefer it to more contemporaneous images because I like his stance and his pleasant but distant expression. With his fancy watch chain, velvet smoking jacket, and slight avoirdupois, the Proud Bohemian looks quite pleased with himself, and why wouldn’t he be?