I wrote about Witold Lutoslawski (pictured at his piano), specifically his Concerto for Orchestra, as well as Mozart’s Piano Concerto No. 27, Mozart’s final work in that form, and Brahms’s Fourth (and final) Symphony. A slightly altered version of these program notes accompanied a recent Dallas Symphony concert.
Arnold Schoenberg, self-portrait
“Mysteries conceal a truth, but direct curiosity to unveil it.”—Arnold Schoenberg, “Brahms the Progressive”
I wrote about the “Brahms Reimagined” program for the St. Louis Symphony concerts of October 28 and 29, with special guest pianist Jeremy Denk, who performs Mozart’s Piano Concerto No. 23. Also on the program are Liszt’s Prometheus and Schoenberg’s orchestration of Brahms’s Piano Quintet in G minor, Op. 25.
The St. Louis Symphony performs Elgar’s Introduction and Allegro, Glanert’s Frenesia (in its U.S. premiere!), and Brahms’s Piano Concerto No. 2 (with pianist Emanuel Ax) on Saturday, April 25, and Sunday, April 26, 2015. My program notes start on p. 26.
On September 12 and 13, 2014, the St. Louis Symphony performs Brahms’s Piano Concerto No. 1, Vaughan Williams’s The Lark Ascending, and Nielsen’s Symphony No. 4, “The Inextinguishable.”
My program notes are here if you would like to read them:
The St. Louis Symphony performs Mendelssohn’s “The Fair Melusina” overture, Brahms’s Double Concerto, and Mendelssohn’s Symphony No. 3 (“Scottish”) on February 7, 8, and 9. I wrote about the program here: