American composer and conductor William Grant Still
On April 18, 2019, Music Director Designate Fabio Luisi led the Dallas Symphony Orchestra in a concert featuring William Grant Still’s Poem for Orchestra (1944), Frank Martin’s Concerto for Wind Instruments, Percussion, and String Orchestra (1949), and Beethoven’s Symphony No. 7 (1813).
If you weren’t lucky enough to be present at the Meyerson, you can still check out the concert thanks to the wonders of Vimeo. The video is available to stream until May 23, 2019. It’s an exciting program, and the first two works aren’t programmed nearly often enough.
Here is a link to the concert. Remember to watch it before it disappears on May 23:
Here are my program notes:
And just for the hell of it, here is another photo of Still, because he’s a brown-eyed handsome man:
(Portrait of Alban Berg, by Arnold Schoenberg.)
This weekend Music Director David Robertson leads the St. Louis Symphony Orchestra in works by Richard Strauss, Alban Berg, and Ludwig van Beethoven. SLSO principal horn Roger Kaza performs Strauss’s Horn Concerto No. 2, and Soprano Christine Brewer sings Berg’s Seven Early Songs. After intermission the SLSO performs Beethoven’s Fifth Symphony. If you can’t make it to Powell Hall on Friday, Saturday, or Sunday, make sure you listen to the live stream on St. Louis Public Radio at 8:00 pm CST: http://news.stlpublicradio.org/#stream/0
My program notes are here:
It has been a terribly long time since I have updated my blog. I have been writing a lot of program notes–mostly for the Dallas Symphony, and more on that in a future post–but I haven’t been blogging, and I apologize to the half-dozen or so of you that follow my lame ass.
My lameness aside, I am very, very excited about this weekend’s upcoming performance by the St. Louis Symphony. As most of you know, two of the pieces on this program, Three Equali for Four Trombones and the Mass in C, are very rarely performed. The St. Louis Symphony, in fact, hasn’t ever performed either of them. (The other piece, Symphony No. 8, is performed far more often but still not as often as many of his other symphonies: the even-number curse, perhaps.)
Without further ado, here is a link to my notes on the program. I’m also including a link to a profile on St. Louis Symphony Chorus Director Amy Kaiser, which I also wrote. Ms. Kaiser is celebrating her twentieth-anniversary season with the symphony this year, and we are all very grateful to her for making the Chorus one of the best in the country.
The St. Louis Symphony performs this all-Beethoven program on January 23 and January 24:
An interview with Amy Kaiser, St. Louis Symphony Chorus Director: