(Portrait of Alban Berg, by Arnold Schoenberg.)
This weekend Music Director David Robertson leads the St. Louis Symphony Orchestra in works by Richard Strauss, Alban Berg, and Ludwig van Beethoven. SLSO principal horn Roger Kaza performs Strauss’s Horn Concerto No. 2, and Soprano Christine Brewer sings Berg’s Seven Early Songs. After intermission the SLSO performs Beethoven’s Fifth Symphony. If you can’t make it to Powell Hall on Friday, Saturday, or Sunday, make sure you listen to the live stream on St. Louis Public Radio at 8:00 pm CST: http://news.stlpublicradio.org/#stream/0
My program notes are here:
(I love this photograph so, so much: wretched old dreamer Pyotr Il’yich Tchaikovsky, on a settee, flanked by well-upholstered, waistcoated, pocket-watch-flaunting grandees. Apologies to possible copyright holders; I’ll take it down if you like, or attribute credit if you send me the information. This photo must date to about 1890, or so; Tchaikovsky died at 53 on November 6, 1893, after possibly contracting cholera on purpose.)
This weekend Music Director David Robertson leads the St. Louis Symphony Orchestra in works by Mackey, Rachmaninoff, and Tchaikovsky, with special guest piano virtuosa Orli Shaham performing Rachmaninoff’s Rhapsody on a Theme of Paganini. If you can’t make it to one of the performances at Powell Hall—and good tickets are still available! —be sure to tune in to the live broadcast on St. Louis Public Radio, which begins at 8:00 pm CST. Here’s the website to listen if you want to hear this gorgeous (Russian-ish) program but can’t make it to Powell Hall in St. Louis: http://news.stlpublicradio.org/#stream/0
My notes can be found here.
On May 4 and 6 (Thursday and Saturday) the St. Louis Symphony and St. Louis Symphony Chorus perform Richard Wagner’s opera Der fliegende Holländer (The Flying Dutchman) in its entirety. I’m very much looking forward to attending the Thursday evening performance with my mom, and I’ll be sure to tune in to the live broadcast on St. Louis Public Radio on Saturday night as well.
My notes begin on p. 25. Yes, I realize that I left a great many things out, but that’s what happens when you attempt to stick to your word count (and fail, but only mildly). I guess no one will miss my wanton gothisms.